A beautifully detailed crochet bandana can turn a simple handmade project into a stylish accessory, and the LB.KNITS bandana is a wonderful example of motif-based lace crochet. This design combines individual decorative motifs, a triangular construction, a delicate picot edging, and two practical ties to create a lightweight headscarf with an elegant openwork appearance.
The original LB.KNITS pattern is dated July 2025 and was designed by Liliya Bardievska. It is given as a ONE SIZE project, with the designer noting a 56 cm head circumference for her sample. The finished piece measures 25 cm in height and 49 cm in width, with ties measuring 30 cm.
The construction is especially interesting because the bandana does not begin as a single large triangle. Instead, the main fabric is assembled from 6 whole motifs and 4 half motifs. The motifs are connected with a joining stitch following a specific diagram. The outer edge is then worked with turning rows, picots are added in the third row, and the final ties are constructed from the specified 80-stitch sections.
This tutorial is organized as a complete construction guide. It follows the technical information supplied in the original source, including the yarn, hook size, motif quantities, finished measurements, tie instructions, washing procedure, and finishing details.
Project Overview
The LB.KNITS crochet bandana is a lace accessory with a triangular silhouette. Its visual interest comes from the repeated geometric motifs that form the main fabric. Once the motifs are joined, the decorative border frames the triangle and the ties extend from its lower edges.
The project can be divided into several clear stages. First, the six whole motifs are made from Scheme 1. Four half motifs are then made from Scheme 2. These ten pieces are arranged and joined according to Scheme 3. After the main fabric has been assembled, the edging is worked according to Scheme 4, with picots introduced according to Scheme 5.
The final construction involves the two ties. The instructions specify 80 p.s.b. for the first tie and another 80 p.s.b. for the second tie. Row 1 and Row 2 then complete the connection between the ties and the bandana.
Once the crochet work is finished, the ends are hidden and the bandana is wet-finished by hand washing, rinsing, towel drying, and flat drying. Blocking is optional, and steaming is also optional after the item has dried.
Materials and Tools
The original pattern uses a relatively small material list, making this project convenient to prepare before starting.
- Recommended yarn: Cofil S.R.L art. Minerva
- Yarn specification: 380 m/100 g
- Yarn construction: One strand
- Yarn quantity: 42 g
- Crochet hook: 2.25 mm
- Additional tools: Needle and scissors
The source does not give a numerical gauge measurement, so no gauge value is added to this tutorial. The pattern also does not provide a separate list of multiple yarn colors. The sample is shown as a single-color lace bandana.
Finished Size
The original pattern specifies a ONE SIZE design. The sample was made with a head circumference of 56 cm.
- Finished height: 25 cm
- Finished width: 49 cm
- Ties: 30 cm
- Sample head circumference: 56 cm
These measurements are part of the original design specifications and should remain unchanged when reproducing the pattern as written.
Understanding the Motif-Based Design
Before picking up the hook, it is useful to understand why this project is divided into separate motifs. In a conventional triangular crochet piece, the entire shape might be built row by row from a starting point. Here, the designer instead creates several decorative components first and then assembles them.
This method allows the lace motifs to become the main visual feature of the finished accessory. The whole motifs provide the repeated decorative structure, while the half motifs complete the outer triangular shape.
The construction also means that the joining stage deserves careful attention. The original source includes a separate diagram, Scheme 3, showing the direction in which the motifs should be joined. The instructions specify that the red-arrow direction is followed first, followed by the green-arrow direction.
Keeping this sequence in mind from the beginning makes the later assembly easier to understand.
Stage One: Making the Whole Motifs
Begin by crocheting 6 whole motifs according to Scheme 1.
Scheme 1 is the original technical chart for these complete motifs. Follow the stitch symbols shown in the chart and maintain the specified 2.25 mm hook and one-strand yarn construction throughout the six pieces.
For the first motif, work slowly and become familiar with the overall shape. Once it is complete, keep it nearby as a visual reference for the remaining five motifs. This is particularly useful in lace crochet because small differences between individual pieces can become more noticeable when the motifs are joined.
After completing the six whole motifs, place them together so you can compare their general shapes. There is no need to invent additional measurements; simply use the original chart as the reference for each piece.
Stage Two: Making the Half Motifs
Next, make 4 half motifs according to Scheme 2.
The half motifs are essential to the final triangular outline. They are specifically included in the original construction and later become part of the section described as the 4 ยฝ motif side during the edging and tie construction.
As with the whole motifs, make the four half motifs consistently. Keeping them together after completion will help when you begin arranging all ten pieces for joining.
At the end of this stage, the project consists of:
- 6 whole motifs made from Scheme 1.
- 4 half motifs made from Scheme 2.
These ten pieces form the components of the main bandana fabric.
Stage Three: Preparing the Motifs for Assembly
Once all ten components are finished, arrange them according to the triangular layout represented in Scheme 3.
This is an excellent point to pause and study the construction before making any joins. The diagram provides the visual roadmap for turning the individual motifs into one continuous piece.
The original instructions specify a particular joining sequence. First work in the direction indicated by the red arrows. Then continue in the direction indicated by the green arrows.
Following the sequence shown in the diagram is preferable to improvising the order of assembly. The direction of the joining lines is part of the intended construction.
Stage Four: Joining the Motifs
Join the motifs using a joining stitch as shown in Scheme 3.
Begin with the red-arrow direction and then work the green-arrow direction. Keep the pieces as flat as possible while joining so that the edges are easy to identify.
The lace structure can make it difficult to judge the final shape while the work is being held in the hands. Laying the developing bandana flat periodically gives you a clearer view of the triangular outline.
Do not substitute a different joining method if your goal is to reproduce the original LB.KNITS construction. The source specifically identifies the joining stitch as the method used to connect the motifs.
A Useful Assembly Checkpoint
After joining the motifs, inspect the main fabric before beginning the edging.
- Confirm that all 6 whole motifs are present.
- Confirm that all 4 half motifs are present.
- Check that the pieces form the intended triangular arrangement.
- Review the joining sequence shown in Scheme 3.
- Make sure the joining was completed first in the red-arrow direction and then in the green-arrow direction.
This checkpoint does not introduce any new pattern instructions. It simply gives you a convenient moment to verify the construction before adding the border.
Stage Five: Working the Outer Edging
After the motifs have become one piece, continue with the edging using turning rows as shown in Scheme 4.
The border follows the triangular shape of the assembled bandana. The original instructions then specify that the third row includes picots according to Scheme 5.
Because the border is visible around the outside of the finished accessory, take care to follow the chart consistently. Scheme 4 provides the route of the edging, while Scheme 5 gives the visual information for the picot detail.
Using the two diagrams for their intended purposes can make this stage easier to follow. First concentrate on the overall border direction, then refer to the picot diagram when you reach the third row.
Stage Six: Adding the Picots
The decorative picot detail is introduced in the 3rd row according to Scheme 5.
Picots give the border a delicate finished appearance and complement the openwork motifs in the body of the bandana. Because the original source provides a dedicated diagram for this detail, use Scheme 5 as the technical reference.
During this third row, the edging also transitions to the section involving the 4 ยฝ motif. This transition is important because the following tie construction begins from this area.
Stage Seven: Completing the Third Row
Continue the third row around the bandana as indicated by the original construction. During the third row, move to edging the 4 ยฝ motif section.
At the end of the third row, the source instructs you to cut the yarn.
This creates the transition from the decorative edging to the tie construction. Before cutting the yarn, check that the third-row picots and the edging around the 4 ยฝ motif section have been completed according to the diagrams.
Stage Eight: Creating the First Tie
After the end of the third row, the instructions say to make 80 p.s.b. for the tie.
Then begin Row 1. The original instructions specify 80 ัั.ะฑ.ะฝ. for the first tie. Attach it to the bandana at the location indicated by the yellow arrow in Scheme 4.
After attaching the first tie, continue with N quantity of ัั.ะฑ.ะฝ. on the bandana from the side of the 4 ยฝ motif.
It is important not to invent a numerical value for N. The supplied source uses the letter N and does not provide a numerical value in that instruction. Therefore, N should remain as stated in the original pattern.
The yarn is not cut after this section. Continue directly into the second tie.
Stage Nine: Starting the Second Tie
After the bandana section in Row 1, make another 80 p.s.b. for the second tie.
Then turn the work to the wrong side.
This change of orientation is specifically included in the original instructions and should be followed before beginning Row 2.
Stage Ten: Completing Row 2
For Row 2, work 80 ัั.ะฑ.ะฝ. for the second tie. Then work ัะฑ.ะฑ.ะฝ. to the end of the first tie.
Once Row 2 has been completed, repeat Row 2 two more times.
After the final repeat, cut the working yarn and hide all ends.
At this point, the crochet construction of the bandana is finished and the piece can move on to wet finishing.
Complete Construction Checklist
Before washing the finished bandana, use the following checklist as a final construction review.
- 6 whole motifs completed from Scheme 1.
- 4 half motifs completed from Scheme 2.
- Motifs arranged according to Scheme 3.
- Motifs joined using the specified joining stitch.
- Red-arrow joining direction completed first.
- Green-arrow joining direction completed second.
- Turning-row edging worked according to Scheme 4.
- Picots added in the third row according to Scheme 5.
- Edging completed around the 4 ยฝ motif section.
- Yarn cut at the end of the third row.
- 80 p.s.b. made for the first tie.
- Row 1 worked with 80 ัั.ะฑ.ะฝ. for the first tie.
- First tie attached according to the yellow arrow in Scheme 4.
- N quantity of ัั.ะฑ.ะฝ. worked on the bandana from the 4 ยฝ motif side.
- 80 p.s.b. made for the second tie.
- Work turned to the wrong side.
- Row 2 worked with 80 ัั.ะฑ.ะฝ. for the second tie.
- ัะฑ.ะฑ.ะฝ. worked to the end of the first tie.
- Row 2 repeated two additional times.
- Working yarn cut after the final repeat.
- All ends hidden.
Wet Finishing: Prepare for the First Wash
The original LB.KNITS instructions include a specific wet-finishing process. The first wash is preferably done by hand, while drying on blockers is optional.
Before beginning the wet-finishing process, hide the ends on the wrong side. The source specifically instructs you to hide the ends without cutting the yarn at this stage.
Prepare a basin with water at approximately 30โ35ยฐC. Add a washing product intended for wool/silk and leave the bandana in the water for 15 minutes.
After 15 minutes, remove the item from the soapy water and carefully remove excess water. The lace fabric should be handled gently throughout this process.
Rinsing the Bandana
Once the washing stage is complete, rinse the bandana in clean water at approximately 30โ35ยฐC.
Again, carefully remove excess water. The original instructions emphasize gentle handling rather than rough treatment of the wet fabric.
At this point, the bandana will still contain a significant amount of moisture, so move to the towel step described by the source.
The Towel-Roll Method
Place the bandana on a towel and roll the towel and the bandana into a roll. Apply a little pressure to the resulting roll.
The towel absorbs excess moisture from the crochet fabric. According to the original instructions, the bandana should become semi-wet after this process.
Carefully unroll the towel and remove the bandana without pulling on the lace edges.
Drying the Finished Crochet Bandana
Lay the bandana carefully on a horizontal surface and allow it to dry.
The original source says that drying on blockers is optional. If you choose to use blockers, handle the lace gently and avoid forcing the fabric into a shape that is not represented by the original design.
Once the bandana is completely dry, cut the ends on the wrong side while leaving an end of approximately 3 mm.
The original pattern also says that, if desired, you may steam the finished item with an iron or steamer.
Why the Finishing Stage Matters
Wet finishing is particularly useful for a lace crochet project because the fabric is made from openwork motifs. Washing and drying carefully gives you an opportunity to settle the finished piece into its final form.
The important point is to follow the original process rather than introducing an alternative washing routine. The source specifically gives the water temperature, washing time, detergent type, towel method, drying instructions, and optional steaming step.
Keeping these details unchanged ensures that the finishing process remains faithful to the original design instructions.
Working the Project in Manageable Sections
A motif-based project can feel complicated when all of its components are considered at once. A simple way to make the process more approachable is to separate the work into logical groups.
Begin with the six whole motifs. Once those are finished, move to the four half motifs. At that point, all ten components are ready for assembly.
The joining stage can then be treated as its own task. Arrange the pieces, study Scheme 3, and follow the red-arrow direction first and the green-arrow direction second.
Once the main fabric is complete, move to the border. Scheme 4 becomes the main reference for the edging, while Scheme 5 provides the picot information for the third row.
Finally, concentrate on the two ties and their exact stitch quantities. This approach does not alter the pattern; it simply divides the original construction into easier checkpoints.
Tips for Consistent Motifs
Use the first whole motif as a reference
After making the first whole motif from Scheme 1, keep it nearby while working the remaining five. Comparing the shapes visually can help maintain consistency.
Compare the half motifs with one another
Make the four half motifs from Scheme 2 and compare their general appearance before assembly. Keeping them organized will make the triangular layout easier to recognize.
Lay pieces flat before joining
When the motifs are placed flat, their edges are easier to identify. This can make the joining sequence shown in Scheme 3 easier to follow.
Follow the arrow directions
Scheme 3 is not simply a decorative illustration. It provides the joining sequence. The original instructions say to work first in the red-arrow direction and then in the green-arrow direction.
Tips for the Edging Stage
The edging is where the individual motif construction begins to look like a finished accessory. Use Scheme 4 for the direction of the border and Scheme 5 for the picot detail.
The third row deserves special attention because it combines two important parts of the pattern: the picots and the transition to the 4 ยฝ motif section.
Before cutting the yarn at the end of the third row, verify that this transition has been completed according to the source.
Tips for the Tie Construction
The tie section includes several exact quantities, so keeping the numbers visible while working can be helpful.
- First tie: 80 p.s.b.
- Row 1 first tie: 80 ัั.ะฑ.ะฝ.
- Bandana section: N quantity of ัั.ะฑ.ะฝ.
- Second tie: 80 p.s.b.
- Row 2 second tie: 80 ัั.ะฑ.ะฝ.
- Row 2 continues to the end of the first tie with ัะฑ.ะฑ.ะฝ.
- Row 2 is repeated 2 more times
The original source does not provide a numerical value for N, so it should not be replaced with an estimated number.
Finished Dimensions Quick Reference
Once complete, the original design has the following stated dimensions:
- Height: 25 cm
- Width: 49 cm
- Ties: 30 cm
- Size: ONE SIZE
- Sample head circumference: 56 cm
The yarn consumption is 42 g, using the recommended Cofil S.R.L art. Minerva yarn at 380 m/100 g with one strand.
Seeing the Lace Structure in the Finished Piece
When the bandana is laid flat, the relationship between the motifs becomes much easier to appreciate. The individual geometric sections create a repeating openwork surface, while the half motifs complete the triangular outline.
The border provides a visual frame around the main motif fabric. The ties then extend from the lower edges, completing the practical construction of the headscarf.
Styling the Finished Accessory
The original photographs show the bandana worn in several ways and from different angles. The lace fabric sits over the hair and creates a decorative layer without making the accessory appear heavy.
The warm-toned sample works particularly well against the simple striped dress shown in the photographs. This also demonstrates how a detailed handmade accessory can become the main decorative element of an otherwise simple outfit.
The triangular construction allows the bandana to cover the upper and back portions of the hair while the ties secure it in place. The side view highlights the decorative border around the face and the open spaces created by the lace motifs.
Frequently Asked Questions
What size is the LB.KNITS crochet bandana?
The pattern is ONE SIZE. The designer’s sample has a head circumference of 56 cm.
What are the finished measurements?
The finished bandana is 25 cm high and 49 cm wide, plus ties measuring 30 cm.
What yarn is recommended?
The source recommends Cofil S.R.L art. Minerva, specified as 380 m/100 g and worked with one strand.
How much yarn is needed?
The specified yarn consumption is 42 g.
Which crochet hook is required?
The pattern specifies a 2.25 mm crochet hook.
How many whole motifs are needed?
You need 6 whole motifs according to Scheme 1.
How many half motifs are required?
You need 4 half motifs according to Scheme 2.
How are the motifs joined?
They are joined with a joining stitch according to Scheme 3. The original instructions say to follow the red arrows first and then the green arrows.
When are the picots worked?
Picots are worked in the third row according to Scheme 5.
What happens during the third row?
The third row includes the picot detail and transitions to edging the 4 ยฝ motif section. At the end of the third row, the yarn is cut.
How are the ties made?
The construction begins with 80 p.s.b. for the first tie. Row 1 contains 80 ัั.ะฑ.ะฝ. for the first tie and attaches it to the bandana according to Scheme 4. Another 80 p.s.b. are then made for the second tie.
What is Row 2?
Row 2 consists of 80 ัั.ะฑ.ะฝ. for the second tie, followed by ัะฑ.ะฑ.ะฝ. to the end of the first tie. Row 2 is then repeated two more times.
What does N mean in the instructions?
The original source uses N for the quantity of ัั.ะฑ.ะฝ. worked on the bandana from the 4 ยฝ motif side. A numerical value is not supplied in the provided source, so N should not be replaced with a guessed number.
How should the first wash be done?
The source recommends hand washing. Use approximately 30โ35ยฐC water, add a wool/silk washing product, and leave the item in the water for 15 minutes.
How should the bandana be dried?
After gently removing excess water, place it on a towel, roll it into a roll, and press gently so the towel absorbs excess moisture. Then lay the bandana on a horizontal surface to dry. Drying on blockers is optional.
What should be done after the bandana dries?
Cut the ends on the wrong side while leaving approximately 3 mm. If desired, steam the finished bandana with an iron or steamer.
Final Project Checklist
Before considering the project completely finished, confirm the following:
- 6 whole motifs are complete.
- 4 half motifs are complete.
- The motif arrangement follows Scheme 3.
- The joining stitch has been used as specified.
- The red-arrow direction was completed first.
- The green-arrow direction was completed second.
- The turning-row edging is complete.
- The third row contains the picot detail.
- The 4 ยฝ motif edging section is complete.
- The first tie contains the specified 80-stitch section.
- The first tie is attached according to Scheme 4.
- The N quantity of ัั.ะฑ.ะฝ. is worked as stated by the source.
- The second 80-stitch tie section is complete.
- The work was turned to the wrong side for Row 2.
- Row 2 was repeated two additional times.
- All ends have been hidden.
- The bandana has been hand washed according to the specified finishing process.
- The piece has been dried completely.
- The remaining ends have been trimmed to approximately 3 mm.
- Optional steaming has been completed if desired.
Pattern and Usage Notes
The original LB.KNITS document identifies the design as a July 2025 pattern by Liliya Bardievska. The source states that it is intended for individual non-commercial use and that sale, copying, publication, or distribution are prohibited.
The source also identifies the designer through Instagram as @lb.knits and provides the hashtag #ะบะพัะธะฝะบะฐ_ะท_lbknits for finished projects.
When working with or publishing material based on the original design, respect the designer’s stated usage conditions.
Final Thoughts
The LB.KNITS crochet bandana is an excellent example of how lace motifs can be transformed into a practical and stylish accessory. The finished design looks intricate, but the construction becomes easier to understand when separated into its individual stages.
The six whole motifs establish the main decorative pattern, while the four half motifs help create the triangular outline. Scheme 3 provides the joining sequence, with the red-arrow direction completed first and the green-arrow direction second.
The turning-row border and third-row picots add a delicate finish, while the 80-stitch tie sections provide the practical element needed to wear the bandana. Finally, the hand-washing and careful drying process completes the project.
For a faithful reproduction of the original LB.KNITS design, keep the technical specifications unchanged: use the recommended Cofil S.R.L art. Minerva yarn at 380 m/100 g in one strand, the 2.25 mm hook, 42 g of yarn, 6 whole motifs, 4 half motifs, the specified joining sequence, the stated tie construction, and the original finishing procedure.
The finished result is a delicate triangular lace headscarf with a distinctive handmade character. Whether viewed flat or worn over the hair, the repeated motifs and decorative edging give the accessory an elegant appearance that makes it especially suited to warm-weather styling.
Once the ends are hidden, the piece has been washed and dried, and the optional steaming has been completed, your LB.KNITS crochet bandana is ready to wear and enjoy.
Congratulations on completing this beautiful lace motif crochet project!